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In addition to being a painter, she was a glass painter, illustrater and etcher that worked mostly non-figuratively, abstract-geometrically and abstract-figuratively. She left the academy prematurely for she considered it too conservative. Shortly after, Loeber began to further investigate the link between modern art and Socialism, whereafter she decided to multiply her works and keep her prices low.

She married the artist Dirk Koning in who, like Loeber, was a pacifist, progressive painter, vegan and socialist. She preferred industrial and technological subjects that she translated to lines and shapes. Nevertheless, Loeber considered fully abstract art elitist and always referred to reality in her earlier works.

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Post-war, Lou moderated her Socialist points of view and started working mostly non-figuratively. We offer exclusive works you can't find anywhere else. Collecting with us means you're helping to sustain creative culture and supporting organizations that are making the world a better place. We have the resources to find works that suit your needs.

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