Guarino guarini biography of mahatma

Because Guarino Guarini, priest, mathematician, and master architect, had laid out its center with such geometric precision, Turin—unlike most other Italian.

Guarino Guarini was an Italian architect, priest, and philosopher, whose mathematical studies enabled him to create the most fantastic of all baroque churches. Guarino Guarini was born in Modena on Jan. He joined the austere new Theatine order in and went to Rome for his novitiate. This was during the period when the architect Francesco Borromini was most active.

Guarini studied philosophy and theology--and apparently also architecture--before returning to Modena in , where he was ordained, began to work as an architect, and taught in the Theatine house until a disagreement with the ruling Este family in forced him to leave. Guarini was in Messina, Sicily, in ; his works there were destroyed in the earthquake.

He was back in Modena by , and soon afterward he went to Paris, where he taught, wrote on philosophy and mathematics, and designed Ste-Anne-la-Royale. This church is now known only from engravings, but it must have seemed an extraordinary fantasy among the soberly classical buildings of contemporary Paris. Building was suspended soon after it was begun and was not resumed until Lorenzo, and the Palazzo Carignano.

His reputation is attested to by his designs for a church in Prague but his plans were not followed and another in Lisbon, destroyed in the earthquake. In fact, all central European baroque churches owe much to Guarini's example, but few, if any, of the architects who designed them were able to imitate his extraordinarily daring feats of construction.

The Chapel of the Holy Shroud is a large circular chapel added to the east end of the Cathedral and intended to contain the Holy Shroud, recently brought by the Savoy ruling family from France. Work on the chapel had commenced before Guarini's arrival, but his design of is remarkable for the treatment of the upper stages, which consist of a series of latticed arches forming a whole sequence of skeleton domes, so that the eye sees through one into the next in a manner that had never been attempted previously.

It is almost impossible to describe these structures except in mathematical terms, but they make even Borromini's most daring inventions, such as the dome of S. Ivo alla Sapienza in Rome, seem almost earthbound, so great is the illusion of light, fragile forms floating in space created by Guarini. The nearby church of S.